Films sharing characteristics with Jonathan Glazer’s Under the Skin often explore themes of alienation, identity, and the human condition through a science fiction lens. These narratives frequently employ a minimalist aesthetic, atmospheric sound design, and a focus on mood and atmosphere over traditional plot structure. A detached, observational perspective, often featuring a non-human protagonist experiencing the world through a distorted lens, is a common stylistic element. Examples include films that utilize surreal imagery, ambiguous storytelling, and a sense of unease to provoke reflection on what it means to be human.
Such cinema provides a unique space for exploring complex philosophical concepts and challenging conventional storytelling. By presenting familiar experiences through unfamiliar perspectives, these films can prompt audiences to reconsider their own perceptions of reality and the nature of existence. The historical context for this style often draws on existentialist literature and philosophical traditions that question human purpose and meaning in a seemingly indifferent universe. This approach allows filmmakers to explore the boundaries of genre and push the limits of cinematic expression.
