The promotional material for Oliver Stone’s 1987 film serves as a visual representation of the film’s themes. Typically featuring imagery of Michael Douglas as Gordon Gekko, it encapsulates the era’s opulent excess and the allure of financial power. These images, often combined with the tagline “Greed is good,” instantly convey the film’s central conflict and moral ambiguities.
As a cultural artifact, this marketing tool transcends its primary function of advertising a film. It acts as a touchstone for discussions surrounding 1980s capitalism, ambition, and the consequences of unchecked greed. Its enduring recognition makes it a powerful symbol, instantly evoking the film’s narrative and its continued relevance in contemporary society. The artwork itself can be considered a collectible, its value often increasing with rarity and condition.
