While digital cinematography has become the dominant medium for filmmaking, a significant number of motion pictures continue to be captured using traditional photographic film. This involves exposing light-sensitive celluloid to create a series of images that, when projected, produce the illusion of motion. Notable examples of contemporary films employing this technique include “Licorice Pizza” (2021) and “Killer of Sheep” (1978, restored and re-released in 2007).
The continued use of this analog process often stems from artistic preferences. Film stock possesses unique aesthetic qualities, including a specific grain structure and color rendition, which some filmmakers believe imbues their work with a distinct visual character and nostalgic appeal. Historically, film was the sole method of capturing moving images, and its legacy continues to influence contemporary filmmaking practices, particularly in the realms of cinematography and post-production. Furthermore, archival considerations play a role, as film stock, when properly stored, offers a potentially longer lifespan compared to digital formats.
